For a century, the geopolitics of energy has been synonymous with the
geopolitics of oil and gas. However, geopolitics and the global energy economy
are both changing. The international order predominant since the
end of World War II faces mounting challenges. At the same time, renewable
energy is growing rapidly. Nevertheless, the geopolitics of renewable
energy has received relatively little attention, especially when considering
the far-reaching consequences of a global shift to renewable energy.
The paper starts with a discussion of seven renewable energy scenarios
for the coming decades: the IEA’s World Energy Outlook 2016, the EIA’s
International Energy Outlook 2016, IRENA’s REmap 2016, Bloomberg’s
New Energy Outlook 2016, BP’s Energy Outlook 2016, Exxon-Mobil’s Outlook
for Energy 2016 and the joint IEA and IRENA G20 de-carbonization
America’s leaders should not lose sight of why the U.S. went to, and has stayed in, Afghanistan: It is in our national interest to ensure that country is not once again a sanctuary for transnational extremists, as it was when the 9/11 attacks were planned there.
Former Chair of the House Intelligence Committee Mike Rogers (@RepMikeRogers), the U.S. Representative for the 8th district in Michigan from 2001 – 2015, and a non-resident Senior Fellow at the Belfer Center, talks with Aroop Mukharji (@aroopmukharji) about tensions between the FBI and the White House, meeting Russian Ambassador Sergey Kislyak, and who’s his favorite spy.
Join us for a screening of the groundbreaking documentary chronicling the real story of five Syrian refugees' journey across Europe from Milan to Stockholm in November 2013, documented and aided by European filmmakers and human rights activists.
Join us for a screening of the groundbreaking documentary chronicling the real story of five Syrian refugees' journey across Europe from Milan to Stockholm in November 2013, documented and aided by European filmmakers and human rights activists. The film was directed by Gabriele del Grande, Khaled Soliman Al Nassiry, and Antonio Augugliaro.
This event is located in Menschell Hall in the lower level of the Harvard Art Museums, 32 Quincy Street, Cambridge, MA.
Synopsis: “A Palestinian poet and an Italian journalist meet five Palestinians and Syrians in Milan who entered Europe via the Italian island of Lampedusa after fleeing the war in Syria. They decide to help them complete their journey to Sweden – and hopefully avoid getting themselves arrested as traffickers – by faking a wedding. With a Palestinian friend dressed up as the bride and a dozen or so Italian and Syrian friends as wedding guests, they cross halfway over Europe on a four-day journey of three thousand kilometers.
This emotionally charged journey not only brings out the stories and hopes and dreams of the five Palestinians and Syrians and their rather special traffickers, but also reveals an unknown side of Europe – a transnational, supportive and irreverent Europe that ridicules the laws and restrictions of the Fortress in a kind of masquerade which is no other than the direct filming of something that really took place on the road from Milan to Stockholm from the 14th to the 18th of November 2013.”
-from the directors
The context: “In European embassies their passports are worthless. And so, month after month, thousands of Syrians and Palestinians turn to Libyan and Egyptian smugglers to be ferried across the Mediterranean on dilapidated, makeshift boats. Fleeing the war in Syria to seek asylum in Europe. Italy is just a transit country. The objective is Sweden. After reaching Sicily, they continue their journey from Milan, by car, resorting yet again to smugglers. Current immigration laws give them no alternative. Unless of course somebody decides to disobey these laws, which is what we did.”
-from the directors
VICE NEWS: “These Guys Faked a Wedding to Smuggle Syrian Refugees and Filmed It” - Read
FRANCE 24: “Film captures mad odyssey of Syrian refugees through Europe” - Read
For complete coverage including photos, videos, and press coverage from around the world, visit the film's official website, here.