Diplomacy and International Politics

In this white paper, authors Melani Cammett and Evan Lieberman try to shed light on what social solidarity is, how it might affect attitudinal and behavioral change; and given its desirable properties, what strategies impede and which facilitate the building of solidarity, particularly given the unique circumstances of the COVID-19 pandemic.

Hong Kong is unique. While the writer Han Suyin’s description—“a borrowed place, on borrowed time” —seemed redundant upon the return of the territory to China on July 1, 1997, the former British colony appears to be perpetually exposed to uncertainty over its future. Despite long months of sociopolitical crisis and violence, Hong Kong has once again shown that it has lost none of its personality. Amidst the climate of upheaval and faced with a Chinese regime determined to obstruct any hopes of democracy, the people of Hong Kong have managed to attract international and media attention, marking them out from any other Chinese territory—including those that enjoy special status: Tibet, Inner Mongolia, Macao, and even Xinjiang, where nearly a million people from the minority Uyghur ethnic group are confined to “re-education” camps. No other Chinese region has been able to attract such attention.

Empirical studies of the causes or consequences of civil war often use measures that do not correspond to theory and results are sensitive to small changes in the coding of civil wars. Civil war is an instance of “sovereignty rupture” and is inherently a polity-level phenomenon, but that understanding of civil war is not reflected in data in which civil war is coded as a dyadic conflict—the state fighting a domestic challenger. We demonstrate the consequences of conceptual ambiguity about which conflicts to code as civil war and when to code the start and end of a civil war. Using a new data set of civil wars from 1945 to 2016 that is consistent with the concept of sovereignty rupture, we replicate several studies and find that their results are often overturned or weakened when we use our data. We advocate for greater deliberateness in data selection in civil war studies, focusing on the fit between the question of interest and the concept of civil war that is underlying a given data set.

Love. Music. Freedom. These are the universal themes at the heart of “We Live in Cairo,” a new musical by Daniel and Patrick Lazour, which is having its world premiere at the American Repertory Theater. Set during the January 25 Revolution, the 2011 uprising in Egypt, the work, under the music direction of Madeline Smith and music supervision of Michael Starobin, celebrates the hope and exuberance of the uprising, even as it acknowledges the turmoil that has followed.