Diplomacy and International Politics

In this white paper, authors Melani Cammett and Evan Lieberman try to shed light on what social solidarity is, how it might affect attitudinal and behavioral change; and given its desirable properties, what strategies impede and which facilitate the building of solidarity, particularly given the unique circumstances of the COVID-19 pandemic.

The COVID-19 pandemic has shaken our economic and political institutions. Less detectably, the crisis also rattles our ideals of democracy and individual freedom. Public health imperatives have collided with democratic principles as fundamental as the freedom to come and go. We have every reason to believe that the exigencies of the moment will also come into conflict with privacy.

Europeans awoke on Thursday morning to news that President Donald Trump had announced the suspension of “all travel from Europe to the United States.” Blaming the European Union (EU) for failing “to take the same precautions and restrict travel from China,” Trump suggested “a large number of new [coronavirus] clusters in the United States were seeded by travelers from Europe.”

Hong Kong is unique. While the writer Han Suyin’s description—“a borrowed place, on borrowed time” —seemed redundant upon the return of the territory to China on July 1, 1997, the former British colony appears to be perpetually exposed to uncertainty over its future. Despite long months of sociopolitical crisis and violence, Hong Kong has once again shown that it has lost none of its personality. Amidst the climate of upheaval and faced with a Chinese regime determined to obstruct any hopes of democracy, the people of Hong Kong have managed to attract international and media attention, marking them out from any other Chinese territory—including those that enjoy special status: Tibet, Inner Mongolia, Macao, and even Xinjiang, where nearly a million people from the minority Uyghur ethnic group are confined to “re-education” camps. No other Chinese region has been able to attract such attention.

Love. Music. Freedom. These are the universal themes at the heart of “We Live in Cairo,” a new musical by Daniel and Patrick Lazour, which is having its world premiere at the American Repertory Theater. Set during the January 25 Revolution, the 2011 uprising in Egypt, the work, under the music direction of Madeline Smith and music supervision of Michael Starobin, celebrates the hope and exuberance of the uprising, even as it acknowledges the turmoil that has followed.