Articles

The Moroccan regime has used repression to successfully contain numerous types of opposition. Although research on its repressive policies is now extensive, impartial scholarly work that systematically examines its rational use of repression remains limited. This article addresses this gap by investigating the causal mechanisms behind the regime's repression of opposition actors between 1956 and 2018. Examining these mechanisms sheds light on the multilevel games between ruling actors and opposition groups during various opposition events and shows that liberalization does not ensure the reduced use of repression. Rather, repression remains a strategic policy employed by the regime to pursue important political objectives such as maintaining power.

Love. Music. Freedom. These are the universal themes at the heart of “We Live in Cairo,” a new musical by Daniel and Patrick Lazour, which is having its world premiere at the American Repertory Theater. Set during the January 25 Revolution, the 2011 uprising in Egypt, the work, under the music direction of Madeline Smith and music supervision of Michael Starobin, celebrates the hope and exuberance of the uprising, even as it acknowledges the turmoil that has followed.